Posts Tagged ‘Gone with the Wind’
Watch Gone with the Wind Movie Online
 |
Watch Gone with the Wind Movie Online.
Movie Title: Gone with the Wind Gone with the Wind is available for streaming or downloading. |
It seems like a ‘new, improved’ edition of “Gone With the Wind” has appeared every couple of years, offering the ‘ultimate’ in record and sound reproduction, and extras. It can become expensive keeping up, and frustrating (noteworthy like buying a classic Disney DVD, when you know a more complete “Special Edition” will soon render your “First Time on Video” copy primitive), but the novel GWTW Four-Disc Collector’s Edition most assuredly deserves a spot in your collection.
Buy,Download, Or Stream Gone with the Wind! Click Here
First off, the narrate and sound quality is incredible. Warner’s Ultra-Resolution process, which ‘locks’ the three Technicolor strips into accurate alignment, provides a clarity and ‘crispness’ to the images that even the 1939 modern print couldn’t conclude. You’ll honestly own your TV is picking up HD, whether you’re HD-ready, or not! This carries over to the Dolby Digital-remastered sound, as well. All of the tell-tale express and scratchiness of the opening credit title music, collected discernable in the last upgrade, is gone, replaced by a richness of tone that will give your home theater a kindly workout. (Listen to the brass in this sequence, and you’ll inspect what I’m talking about…)
The biggest selling point of this edition is, of course, the two discs of additional features offered, and these are, in general, righteous. Beginning with the fine “Making of a Tale” (narrated by Christopher Plummer), Disc Three offers appealing overviews about the film, the extraordinary restoration, footage from the 1939 Premiere (and the bittersweet 1961 Civil War Centennial reunion of Selznick, Leigh, and de Havilland), glimpses of Gable and Leigh with dubbed voices for the foreign-language versions, the international Prologue (tacked on to elaborate the Civil War to foreign audiences), and a 1940 MGM documentary on the “Customary South” (directed by Fred Zinneman) memorable today for it’s simplistic opinion of the time, and stereotypical portrayal of blacks.
Buy,Download, Or Stream Gone with the Wind! Click Here
Disc Four is a mixed bag; the long-awaited reminiscences of Olivia de Havilland are more chatty than informative (with the 90-year-old actress more keen in discussing her wardrobe than on-set tension…although a prank she pulled on Gable is humorous), and the Clark Gable Profile is superficial (A&E’s biography of ‘The King’ is far great) . Things improve, however, with the insightful, sympathetic TCM biography of Vivien Leigh (hosted by Jessica Lange), and a Amazing part devoted to brief bios of many of the GWTW supporting cast, narrated, again, by Christopher Plummer (although I wish the filmmakers would have included bios for Ward Bond, Victor Jory, Fred Crane, and George ‘Superman’ Reeves) .
All in all, the GWTW Four-Disc Collector’s Edition isn’t perfect, but offers so remarkable terrific material that it is CERTAINLY the one to have!
I feeble to believe that this Hollywood classic was for everyone. However, after reading nearly 300 reviews of the film, I deem that isn’t proper anymore. This movie is NOT for you IF 1) you judge a movie must be as historically suitable as a history book, 2) you mediate a 1939 movie should judge the values of the 21st century, 3) your attention span is so short that you must only glance movies from 90-120 minutes in length, 4) you can only glean politically lawful films, particularly in terms of racial issues, 5) you are so Tedious as to assume widescreen movies were made before the 1950s (although to be stunning, Selznik originally intended to spend a special widescreen process for the so-called “burning of Atlanta” sequence but gave up on the expensive conception), 6) you can only rep computerized special effects as they appear in new films, or 7) your concept of stout acting is to be found in slasher or teen films being made these days.
Buy,Download, Or Stream Gone with the Wind! Click Here
GWTW is NOT a documentary on the Civil War period. It is NOT a history of slavery in America. It is NOT a chronicle of perfect people behaving perfectly at all times.
It IS an adaptation of a fresh written by a Southern woman who, as a child, sat and listened to the stories the used Confederate veterans told about the veteran days before, during, and after THE war. It IS a appreciate narrative, probably about the novelist’s grandmother, which reflects the attitudes left over from that long-ago time.
To criticize this film for so many unrelated issues is funny. It stands on its merits as a masterful film that tells of bittersweet treasure and lost fantasy. That it succeeds so well is a tribute to the actors and filmmakers of over sixty years ago.
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Watch Gone with the Wind Online
 |
Watch Gone with the Wind Online.
Movie Title: Gone with the Wind Gone with the Wind is available for streaming or downloading. |
It seems like a ‘new, improved’ edition of “Gone With the Wind” has appeared every couple of years, offering the ‘ultimate’ in characterize and sound reproduction, and extras. It can become expensive keeping up, and frustrating (worthy like buying a classic Disney DVD, when you know a more complete “Special Edition” will soon render your “First Time on Video” copy old-fashioned), but the novel GWTW Four-Disc Collector’s Edition most assuredly deserves a station in your collection.
Buy,Download, Or Stream Gone with the Wind! Click Here
First off, the recount and sound quality is extraordinary. Warner’s Ultra-Resolution process, which ‘locks’ the three Technicolor strips into staunch alignment, provides a clarity and ‘crispness’ to the images that even the 1939 current print couldn’t execute. You’ll honestly have your TV is picking up HD, whether you’re HD-ready, or not! This carries over to the Dolby Digital-remastered sound, as well. All of the tell-tale sigh and scratchiness of the opening credit title music, aloof discernable in the last upgrade, is gone, replaced by a richness of tone that will give your home theater a ample workout. (Listen to the brass in this sequence, and you’ll examine what I’m talking about…)
The biggest selling point of this edition is, of course, the two discs of additional features offered, and these are, in general, agreeable. Beginning with the suited “Making of a Fable” (narrated by Christopher Plummer), Disc Three offers titillating overviews about the film, the incredible restoration, footage from the 1939 Premiere (and the bittersweet 1961 Civil War Centennial reunion of Selznick, Leigh, and de Havilland), glimpses of Gable and Leigh with dubbed voices for the foreign-language versions, the international Prologue (tacked on to elaborate the Civil War to foreign audiences), and a 1940 MGM documentary on the “Venerable South” (directed by Fred Zinneman) memorable today for it’s simplistic conception of the time, and stereotypical portrayal of blacks.
Buy,Download, Or Stream Gone with the Wind! Click Here
Disc Four is a mixed bag; the long-awaited reminiscences of Olivia de Havilland are more chatty than informative (with the 90-year-old actress more enthusiastic in discussing her wardrobe than on-set tension…although a prank she pulled on Gable is laughable), and the Clark Gable Profile is superficial (A&E’s biography of ‘The King’ is far profitable) . Things improve, however, with the insightful, sympathetic TCM biography of Vivien Leigh (hosted by Jessica Lange), and a Fabulous fragment devoted to brief bios of many of the GWTW supporting cast, narrated, again, by Christopher Plummer (although I wish the filmmakers would have included bios for Ward Bond, Victor Jory, Fred Crane, and George ‘Superman’ Reeves) .
All in all, the GWTW Four-Disc Collector’s Edition isn’t perfect, but offers so distinguished terrific material that it is CERTAINLY the one to occupy!
I primitive to mediate that this Hollywood classic was for everyone. However, after reading nearly 300 reviews of the film, I reflect that isn’t proper anymore. This movie is NOT for you IF 1) you reflect a movie must be as historically legal as a history book, 2) you consider a 1939 movie should assume the values of the 21st century, 3) your attention span is so short that you must only discover movies from 90-120 minutes in length, 4) you can only salvage politically moral films, particularly in terms of racial issues, 5) you are so Boring as to believe widescreen movies were made before the 1950s (although to be magnificent, Selznik originally intended to spend a special widescreen process for the so-called “burning of Atlanta” sequence but gave up on the expensive conception), 6) you can only accumulate computerized special effects as they appear in unusual films, or 7) your concept of vast acting is to be found in slasher or teen films being made these days.
Buy,Download, Or Stream Gone with the Wind! Click Here
GWTW is NOT a documentary on the Civil War period. It is NOT a history of slavery in America. It is NOT a legend of perfect people behaving perfectly at all times.
It IS an adaptation of a recent written by a Southern woman who, as a child, sat and listened to the stories the customary Confederate veterans told about the frail days before, during, and after THE war. It IS a adore legend, probably about the novelist’s grandmother, which reflects the attitudes left over from that long-ago time.
To criticize this film for so many unrelated issues is amusing. It stands on its merits as a masterful film that tells of bittersweet care for and lost fantasy. That it succeeds so well is a tribute to the actors and filmmakers of over sixty years ago.
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Streaming Gone with the Wind Online
|
Streaming Gone with the Wind Online.
Movie Title: Gone with the Wind Gone with the Wind is available for streaming or downloading. |
It seems like a ‘new, improved’ edition of “Gone With the Wind” has appeared every couple of years, offering the ‘ultimate’ in characterize and sound reproduction, and extras. It can become expensive keeping up, and frustrating (great like buying a classic Disney DVD, when you know a more complete “Special Edition” will soon render your “First Time on Video” copy stale), but the modern GWTW Four-Disc Collector’s Edition most assuredly deserves a set in your collection.
Buy,Download, Or Stream Gone with the Wind! Click Here
First off, the describe and sound quality is wonderful. Warner’s Ultra-Resolution process, which ‘locks’ the three Technicolor strips into sincere alignment, provides a clarity and ‘crispness’ to the images that even the 1939 new print couldn’t attain. You’ll honestly fill your TV is picking up HD, whether you’re HD-ready, or not! This carries over to the Dolby Digital-remastered sound, as well. All of the tell-tale thunder and scratchiness of the opening credit title music, mild discernable in the last upgrade, is gone, replaced by a richness of tone that will give your home theater a salubrious workout. (Listen to the brass in this sequence, and you’ll peek what I’m talking about…)
The biggest selling point of this edition is, of course, the two discs of additional features offered, and these are, in general, honorable. Beginning with the qualified “Making of a Tale” (narrated by Christopher Plummer), Disc Three offers inviting overviews about the film, the astounding restoration, footage from the 1939 Premiere (and the bittersweet 1961 Civil War Centennial reunion of Selznick, Leigh, and de Havilland), glimpses of Gable and Leigh with dubbed voices for the foreign-language versions, the international Prologue (tacked on to interpret the Civil War to foreign audiences), and a 1940 MGM documentary on the “Passe South” (directed by Fred Zinneman) memorable today for it’s simplistic understanding of the time, and stereotypical portrayal of blacks.
Buy,Download, Or Stream Gone with the Wind! Click Here
Disc Four is a mixed bag; the long-awaited reminiscences of Olivia de Havilland are more chatty than informative (with the 90-year-old actress more alive to in discussing her wardrobe than on-set tension…although a prank she pulled on Gable is droll), and the Clark Gable Profile is superficial (A&E’s biography of ‘The King’ is far agreeable) . Things improve, however, with the insightful, sympathetic TCM biography of Vivien Leigh (hosted by Jessica Lange), and a Improbable allotment devoted to brief bios of many of the GWTW supporting cast, narrated, again, by Christopher Plummer (although I wish the filmmakers would have included bios for Ward Bond, Victor Jory, Fred Crane, and George ‘Superman’ Reeves) .
All in all, the GWTW Four-Disc Collector’s Edition isn’t perfect, but offers so remarkable terrific material that it is CERTAINLY the one to fill!
I old-fashioned to assume that this Hollywood classic was for everyone. However, after reading nearly 300 reviews of the film, I assume that isn’t correct anymore. This movie is NOT for you IF 1) you reflect a movie must be as historically lawful as a history book, 2) you mediate a 1939 movie should judge the values of the 21st century, 3) your attention span is so short that you must only perceive movies from 90-120 minutes in length, 4) you can only earn politically apt films, particularly in terms of racial issues, 5) you are so Plain as to consider widescreen movies were made before the 1950s (although to be magnificent, Selznik originally intended to employ a special widescreen process for the so-called “burning of Atlanta” sequence but gave up on the expensive concept), 6) you can only salvage computerized special effects as they appear in fresh films, or 7) your concept of astronomical acting is to be found in slasher or teen films being made these days.
Buy,Download, Or Stream Gone with the Wind! Click Here
GWTW is NOT a documentary on the Civil War period. It is NOT a history of slavery in America. It is NOT a anecdote of perfect people behaving perfectly at all times.
It IS an adaptation of a new written by a Southern woman who, as a child, sat and listened to the stories the venerable Confederate veterans told about the used days before, during, and after THE war. It IS a care for yarn, probably about the novelist’s grandmother, which reflects the attitudes left over from that long-ago time.
To criticize this film for so many unrelated issues is laughable. It stands on its merits as a masterful film that tells of bittersweet like and lost fantasy. That it succeeds so well is a tribute to the actors and filmmakers of over sixty years ago.
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Outsiders, The Review.
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Outsiders, The Review.
Compare & Purchase Outsiders, The at Amazon by clicking here! List Price: —- Amazon Price: $2.99 |
Outsiders, The Description:
- Amazon Sales Rank: #4103 in Movie
- Released on: 2009-09-16
- Rating: PG-13 (Parental Guidance Suggested)
- Running time: 92 minutes
Customer Reviews:
This new special edition “Stays Gold”
Coppola’s original version was quite faithful to Hinton’s book and this new edit is even more so. He has put back in 22 more minutes, most noticeably at the beginning and end of the movie. This new footage opens up the film more. We are introduced to the greasers much earlier on now that Coppola isn’t reigned in by the dictates of test screenings. He is able to take the time to immerse the audience in this richly textured world shot in glorious widescreen by Stephen Burum who adopts a look that evokes another epic about troubled youth, Rebel Without A Cause (1955). The film is drenched in the golden hues of warm sunrises and sunsets like something right out of Gone with the Wind (1939).
Another significant change has Coppola replacing all of his father’s beautiful, classical score in favour of period rock `n’ roll music. In some cases, like the opening scene where Ponyboy is jumped by some Socs, it works and in others, like the whimsical surf music that plays over the scene where the Socs jump Johnny and Ponyboy, it feels awkward and out of place. Part of the film’s original charm was its moments of `50s style melodrama, as epitomized by the film’s orchestral soundtrack, and this diminished by the newly inserted period music that could be right out of an episode of Crime Story. Hinton’s books are timeless with their universal themes and the original music reflected that. This new music, while accurate for its time period, contributes to a loss of some of the timeless feel.
On the first DVD is an audio commentary with director Francis Ford Coppola. He addresses the changes in the soundtrack by saying that after all these years he wanted to move away from a score that commented on what was happening to music that the characters would actually be listening to. The filmmaker delivers another top notch commentary full of smart observations and talks at length about why he prefers this cut.
There is an additional commentary featuring Diane Lane, Ralph Macchio, Patrick Swayze, C. Thomas Howell, Rob Lowe and Matt Dillon. Coppola invited all of them back to see this new cut of the film with Lowe and Dillon recorded separately. This is an entertaining track that fans will love. It’s great to hear these actors talk about this movie after all these years.
The second disc kicks things off with a retrospective look at the movie, entitled, “Stay Gold: A Look Back at The Outsiders.” In a nice touch, we see Lane, Macchio, Swayze and Howell being reunited with Coppola at his ranch where they recorded their commentary. This is an excellent look at the movie with all kinds of good, on set footage.
“S.E. Hinton on Location in Tulsa” features the publicity-shy author revisiting the locations that Coppola used in the movie, including the drive-in which still exists. She talks about how Coppola worked closely with her on the set to make sure that the script was true to her book.
“The Casting of The Outsiders” has casting director now producer Fred Roos take us through the casting process with audition footage from back in the day. People like Kate Capshaw and Adam Baldwin tried out for the film. Anthony Michael Hall even read for the role of Ponyboy!
A nice addition is “Readings,” with some of the cast who came back for these featurettes reading their character descriptions from Hinton’s novel.
“NBC News Today Segment: The Outsiders Started by School Petition.” This is a new story done during the film’s original release about how a class of California school kids wrote a letter to Coppola asking him to make Hinton’s book into a movie.
There are six “Additional Scenes” with more footage from the opening that is even more faithful to the book but the rest of the scenes amount to extensions of existing ones.
Finally, there is a theatrical trailer.
Soul stirring drama-PhantomCool014@excite.com
FILM REVIEW “The Outsiders” Rated PG. 88 minutes. First screened in 1983. As a film-lover myself I believe that this movie is one of the most beautiful and touching that I have ever seen. Based on the stunning novel by S.E. Hinton, only. a teenager herself when she wrote the book, this movie conveys all the emotions and tension of the book. This movie, directed by Francis Ford Coppola( director of the famous films : The Godfather, The Godfather 2 and Apocalypse Now) has a certain magic about it that you just don’t get in a Disney movie. The reason for this is that this tale is one of sadness, despair and a teenager in the 50′s reaching out for help and finding nothing there. Eventually the movie makes you realise that with the togetherness of the gang, Pony boy has got all that he ever needed. The acting in this film, while touching, left a little to be desired. The plot was simple but solid and supported by a range of very well known modern actors. Starring such actors as Tom Cruise as Steve Randle, C. Thomas Howell as Ponyboy Curtis, Emilio Estevez as Two-Bit Matthews, Rob Lowe as Sodapop Curtis, Patrick Swayze as Darrel Curtis, Matt Dillon as Dallas Winston, Ralph Macchio as Johnny Cade and Diane Lane as Cherry Valance. All of these roles in the movie were played expertly by the characters listed and they portrayed all the emotions of the book.
Extended Edition
I’m so glad they decided to put out a Two-Disc Special Edition. This movie is well worth it and now we get to see the deleted scenes we’ve been waiting for. I hope the rest of the 80′s classics get this treatment. It’s awesome that Matt Dillon, Ralph Macchio, C. Thomas Howell, Patrick Swayze, Rob Lowe and Diane Lane all made a commentary segment for this DVD, the only bad thing is Tom and Emilio aren’t in the commentary.
Just watched my Copy of THE OUTSIDERS—
Wow. This was so freakin’ awesome you guys. There is 22 extra minutes added to the movie and 10 additional deleted scenes as special features. For the people who were disappointed in the movie because it lacked scenes from the book you have got to buy this edition. All of the scenes are added to the movie like I previously said. The special features are outstanding as well. They show a reunion at Francis Ford Coppola ‘s house screening the new extended movie with Diane Lane, C. Thomas Howell, Patrick Swayze and Ralph Macchio. There are cast interviews and a special with S. E. Hinton talking about the book and the movie. She also shows the places the movie took place. Like the movie theater, the school, the brothers house and the street Dallas was killed. There’s much more extra’s, so enjoy.
Watch Repo Man Online
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Watch Repo Man Online.
Movie Title: Repo Man Repo Man is available for streaming or downloading. |
Repo Man is completely unclassifiable. Laughable, black, biting, thrilling, confusing, action, adventure, it’s all there. Emilio Estevez plays Otto, a “white suburban punk” living in LA’s sprawl, with a nowhere job that he loses in the film’s second scene. When his hippie parents admit they sent his college fund to a TV preacher (We’re sending Bibles to El Salvador!), Otto meets Bud (Harry Dean Stanton), a cocaine-driven Repo Man who needs an extra driver. Otto joins the firm and soon learns the Repo Code; Bud’s version (You study, a Repo Man gets himself INTO tense situations), and the other regulars at Helping Hand Auto fraction their philosophies too. Light finds Bud’s conception tiresome but is willing to handle shoot-outs when he’s not reading parodies of Scientology (Diuretix), Miller seems completely neuron-fried (The more you drive, the less shimmering you are), and Oly is along to design a four-pack. (Did you behold the four experienced Repo Men are named after beers? ) Let’s go rep a drink, kid!
Multiple position strands at first seem unrelated, but bind together closer and tighter as the film moves along. Otto and the other Repo Men are on the lookout for a 1964 Chevy Malibu, with a $25,000 bounty. So are some creepy FBI agents, who stalk and kidnap Otto. And so are Helping Hand’s arch-rivals, who careen into the location whenever things are getting wearisome. The car’s driven by a nuclear physicist in from Los Alamos, who warned a CHP officer not to behold in the trunk (with deadly results) . Otto’s punk friends gather the car while breaking into a pharmaceutical factory, but they’re too unimaginative to support it. (These three are some of the dumbest criminals ever shown in film, including Kevin Kline’s Otto in _A Fish Called Wanda_) Otto finds care for, after a fashion, but since this is Reaganesque LA, even his girlfriend has her have motives. (“Otto! What about our relationship? ” Otto’s respond is a smart respond to Cary Grant’s last line in Gone with the Wind.)
The film abounds with hilarious throw-away lines, signs, and labels. Several scenes hold position in food stores, and all the food is generically labeled. Multiple viewings are required to salvage them all; be positive to read all the signs in the windows. Even the TV preacher shows up on several television sets. Repo Man takes its structure from Miller’s bizarre rant about the cosmic latticework of interconnectedness, because everything is interconnected, and Miller turns out to be moral about all of it by the slay. “And flying saucers are… You got it. Time Machines.”
Buy,Download, Or Stream Repo Man! Click Here
Top it off with a TERRIFIC sound track by Iggy Pop, Gloomy Flag, The Circle Jerks, and a host of others from the punk scene and this is one of the best movies ever made.
Every decade, there seems to be a movie that defines the angst of the culture and the subculture, the collective feeling that something is disagreeable with the establishment. To call this zeitgeist is misleading; these films don’t deem the spirit of the times as grand as they somehow tap into the opposite – they manage to build an all-around sense of unease about the residence of the world. In the 1960s, it was The Graduate and the bombshell discover at the raze. For the 1990s, Fight Club identified many things snide both with pop culture and those acting in rebellion against it. For the Reagan-saturated 1980s, the distinction falls squarely on Alex Cox’s debut film Repo Man. In one of his first roles, Emilio Estevez plays Otto, a street punk who loses his job and college savings in the same day due to misunderstandings and television preachers. At the ruin of his rope financially and mentally, he agrees to obtain a lickety-split 20 bucks by helping experienced repo man Bud (Harry Dean Stanton) . Realizing the potential to design a grand living, and an “intense” life in his unique job, Otto signs up with the crew and becomes a repo man. On the arrangement, he meets an modern woman (Olivia Barash) whom he snappily falls in lust with. When word comes down the wire that there’s an expansive commission out on a 1964 Chevy Malibu, Otto and all the other repo men situation out to behold for the car with the colossal pick up. What they win in the trunk is so novel, it will change everything – EVERYTHING.
What makes Repo Man so fresh is the certain satirization not only of regular, and in this case conservative Reagean-esque, culture, from the “John Wayne was [gay]” speech to Bud’s trashing of Russia, but the send-ups of punk culture (Let’s go do some crimes! Yeah, let’s bag sushi and not pay!) Otto is the everyman in every sense of the word, as he – like us – realizes that no matter what culture he tries to be a piece of, he never fits in, and those strains of culture are so rife with stupidity and hypocrisy that he no longer wants to belong. Like The Graduate and Fight Club, Repo Man also refuses to supply a stock reply, instead making the audience interrogate instead of spoonfeeding them. Plus, it’s roll-on-the-floor droll, with some of the best oneliners since Substandard Listless 2 or Terminator 2. Alex Cox made Repo Man while level-headed in film school, and he basically admits it’s miniature more than a trumped-up student film. The lack of budget is positive at times, but the killer screenplay and direction more than produce up for that shrimp fault. As usual, the movie looks apt on Anchor Bay’s DVD; the sound and video are as distinct as you can ask for, with a remixed 5.1 audio track to boot. There’s a vast commentary track with Alex Cox, some castmembers (sadly, no Harry Dean or Emilio), and some crew; it’s a lot like a Kevin Smith commentary, with everyone sitting in one room, having a immense time talking about a gigantic film. There are no other extras to drawl of, unless you win the collector’s tin (which does not study like the normal Repo Man screen – it looks like a California license plate, with Repo Man on it) . The collector’s tin has the soundtrack on CD and a booklet about the movie with a tiny humorous in it. Unless you are a major fan or must have the best of the best of the best edition, there’s no need to consume the more expensive version, but if you want it, you’d better procure it hasty, because at 30,000 copies, it’ll be gone before you know it.
I would definitely check this movie out if you can, and would recommend buying it to anyone who asked.
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