Posts Tagged ‘Prince’
Buy Hamlet 1996 At Amazon!
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Buy Hamlet 1996 At Amazon!
Compare & Purchase Hamlet 1996 at Amazon by clicking here! List Price: —- Amazon Price: $9.99 |
Hamlet 1996 Description:
- Amazon Sales Rank: #2674 in Movie
- Released on: 2010-01-29
- Rating: PG-13 (Parental Guidance Suggested)
- Running time: 243 minutes
Customer Reviews:
Not to be missed
Part of the genius of Branagh’s interpretation of Hamlet is in the use of the techniques of the cinema to enhance the production. Branagh has not condensed the acts like some mass market soup, as was done in Olivier’s 1948 Oscar-winning production, or in, say, Zeffirelli’s 1989 Hamlet lite starring Mel Gibson (both excellent, though, within their scope), but has kept every word while directing our understanding so that even those only casually familiar with the play might follow the intent and purpose with discernment. Recall that for Shakespeare–the ultimate actor’s playwright who wrote with precious few stage directions–interpretation was left to the direction and the actors, an open invitation that Branagh rightly accepts.
The use of flashback scenes of things implied, such as the amorous union of Ophelia and her Lord Hamlet abed, or of a vast expanse of snow darkened with distant soldiers to represent the threat of Fortinbras’ army from without, and especially the vivid remembrance in the mind’s eye of the new king’s dastardly deed of murder most foul, helps us all to more keenly appreciate just what it is that torments Hamlet’s soul. I also liked the intense closeups. How they would have bemused and delighted an Elizabethan audience.
Branagh’s ambitious Hamlet is also one of the most accessible and entertaining, yet without the faintest hint of any dumbing down or abbreviation. A play is to divert, to entertain, to allow us to identify with others whose trials and tribulations are so like our own. And so first the playwright seeks to engage his audience, and only then, by happenstance and indirection, to inspire and to inform. Shakespeare did this unconsciously, we might say. He wrote for the popular audience of his time, a broad audience, it should be noted, that included kings and queens as well as knaves and beggars, and he reached them, one and all. We are much removed from those times, and yet, this play, this singular achievement in theatre, still has the power to transcend mere entertainment, to fuse poetry and story, as well as the high and the low, and speak once again to a new audience twenty generations removed.
Branagh himself is a wonderful Hamlet, perhaps a bit of a ham at times (as I think was Shakespeare’s intent), a prince who is the friend of itinerant players. He also lacks somewhat in statute (as we conceive our great heroes); nonetheless his interpretation of the great prince’s torment and his singular obsession to avenge his father’s murder speaks strongly to us all. Branagh, more than any other Hamlet, makes us understand the distracted, anguished and tortured prince, and guides us to not only an appreciation of his actions, wild and crazy as they sometimes are, but to an identification and an understanding of why (the eternal query) Hamlet is so long in assuming the name of action. In Branagh’s production, this old quibble with Hamlet’s character dissolves itself into a dew, and we realize that he was acting strongly, purposely all the while. He had to know the truth without doubt so that he might act in concert with it.
I was also very much impressed with Derek Jacobi’s Claudius. One recalls that Jacobi played Hamlet in the only other full cinematic production of the play that I know of, produced in 1980 by the BBC with Claire Bloom as Gertrude; and he was an excellent Hamlet, although perhaps like Branagh something less than a massive presence. His Claudius combines second son ambition with a Machiavellian heart, whose words go up but whose thoughts remind below, as is the way of villains everywhere.
Kate Winslet is a remarkable Ophelia, lending an unusual strength to the role (strength of character is part of what Kate Winslet brings to any role), but with the poor, sweet girl’s vulnerability intact. She does the mad scene with Claudius as well as I have seen it done, and of course her personal charisma and beauty embellishes the production.
Richard Briers as Polonius, proves that that officious fool is indeed that, and yet something more so that we can see why he was a counselor to the king. The famous speech he gives to Laertes as his son departs for France, is really ancient wisdom even though it comes from a fool.
Julie Christie was a delight as the besmirched and wretched queen. In the bedroom scene with Hamlet she becomes transparent to not only her son, but to us all, and we feel that the camera is reaching into her soul. She is outstanding.
The bit players had their time upon the stage and did middling well to very good. I liked Charlton Heston’s player king (although I think he and John Gielgud might have switched roles to good effect) and Billy Crystal’s gravedigger was finely etched. Only Jack Lemon’s Marcellus really disappointed, but I think that was mainly because he was so poorly cast in such a role. Not once was he able to flash the Jack Lemon grin that we have come to know so well.
The idea of doing a Shakespearean play with nineteenth century dress in the late twentieth century worked wonderfully well, but I know not why. Perhaps the place and dress are just enough removed from our lives that they are somewhat strange but recognizable in a pleasing way. And perhaps it is just another tribute to the timeless nature of Shakespeare’s play. The mirrors in the great hall added to the effect of a vast and indifferent castle environment, and in the scene with Ophelia and Laertes returned tended to magnify the focus.
There is so much more to say about this wonderful cinematic production. It is, all things considered, one of the best Hamlets ever done. Perhaps it is the best. See it, by all means, see it for yourself.
Baring Hamlet’s Soul
There is a moment at the start of this film when Hamlet, until then holding himself rigidly erect through sheer force of will, seizes a moment of privacy and literally deflates with exhaustion and despair. In itself, this perfect gesture would mark Branagh’s portrayal a masterful work. But what follows raises his performance to the sublime: He embarks on the “O that this too too sullied flesh would melt, /Thaw, and resolve itself into a dew…” soliloquy not with Burton’s anger, Olivier’s melancholy or Gibson’s bitterness, but with an exhalation that embodies the emotion most genuine given the circumstances: overwhelming grief. This is a perfect note, and what follows shows an understanding of the play’s mental and emotional landscape that puts other portrayals to shame.
I have seen many performances of Hamlet, but I have never seen one as perfectly pitched as this. Branagh’s Hamlet is strong, resourceful, thoughtful and restrained. Branagh purposely rejects the psychological poses that other actors find so hard to resist. After all, Hamlet and Richard III are the two Shakespearean plays that afford actors the most range. It’s hard playing the Dane on a leash when one can go wild with existential abandon and not only dodge the charge of overacting, but actually attribute such excess to the character. There are few meatier roles in the repertoire that simultaneously offer the actor such depth on the one hand and such leeway on the other.
For me, such moderation exemplifies Branagh’s devotion to Shakespeare. It must have been tempting for a man of his talents to show off. But to forego such gestures, to offer in its stead restraint, is to put service before self.
For, of course, Hamlet is restrained. His very life depends on it. His whole course of action is based on it. His safety revolves around it. Hold off the will to strike, restrain the impulse for vengeance, apportion each action in only the most miserly measure. The walls have ears, conspiracies abound and death lurks around every corner. In such an environment, is it plausible that a man of Hamlet’s intelligence would show his hand by indulging in excess? A restrained performance feels right because a restrained course of action is the only course possible for our hero.
This does not stop Hamlet from making bold gestures. But such gestures must always be made under cover, and here again, Branagh shows his creative mettle. The Player King scene provides a counterpoint. Branagh lets go here and shows his excitement when the occasion demands it. Likewise, his graveyard response to Ophelia’s death: the cover of madness conflates with reality because Hamlet’s act cannot be sustained forever. Branagh knows exactly when to allow the cracks to show.
Those used to earlier works may find Branagh’s version overly long and laboured. Many directors have cut out scenes and soliloquies in a misguided attempt to “tighten up” the production. Branagh makes what I believe is the right decision: to leave them all in because every scene, every soliloquy adds texture and is indispensable to the whole.
The best Hamlet I have seen.
Well Worth It
Phenominal acting by Kenneth Branagh makes this film both entertaining and a fine addition to anyone’s library, be they a Shakespeare afficionado or simply looking to enjoy a good film. This is a refreshing switch from the stereotypically stale rap such a wonderful playwright is encumbered with. While it does take some time to watch, this is not necessarily a bad thing. As a result, there are always new things to discover with susequent viewings. Admittedly, the language itself is a barrier at first. For me, it is much more difficult to comprehend without the text before me. But, once realization dawns, I would say it is well worth the wait. Currently, my favorite part is when Hamlet tells his uncle to go to hell on the first tape. The delivery is subtle enough to elude most on the first pass, myself included. While this is not a line unique to this film, as the text exists in others, it is a high point for me. Kenneth Branagh makes the film, though. Accolades are also due equally noteworthy actor Charleton Heston for a brief but inspiring appearance. I am eagerly awaiting this title to emerge on DVD, as I hope many others are too. Perhaps a public outcry would prompt the distributor to arrange its (hopefully forthcoming) release.
Anna and the King Review.
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Anna and the King Review.
Compare & Purchase Anna and the King at Amazon by clicking here! List Price: —- Amazon Price: $2.99 |
Anna and the King Description:
- Amazon Sales Rank: #5655 in Movie
- Released on: 2009-08-25
- Rating: PG-13 (Parental Guidance Suggested)
- Running time: 149 minutes
Customer Reviews:
An Extraordinary Experience
I found this movie to be BRILLIANT! Jodie Foster is outstanding in the role of Anna Leonowens – she is a beautiful mix of bravery, intelligence and Victorian elegance. Chow Yun-Fat is also outstanding in the role of King Mongkut – he emits a regal quality as well that of compassion and intelligence. The cinematography is out of this world and the directing exquisite. The dialogue is perfect, and it strikes just the right chord of polished writing. The musical score is breathtaking. The lush scenery and thick emotion is set to elegant, strong, and graceful music. It is forceful when it need be and then fades quietly into the background… at times supporting a scene with gentle rolling waves of ear pleasure. Oh and the costumes! They are completely amazing, and startling in their detail. From the majestic elephants to the smallest noble they are all cloaked in carefully chosen fabrics.
This movie in all its entirety affected me very deeply. The intense emotions of the characters are so expertly performed and directed that they feel incredibly real. These emotions, which course through “Anna and the King,” create a moving, exciting, and anticipatory experience. I am very grateful to all of those involved in the making of “Anna and the King” for producing such a beautiful and extraordinary film. Anyone who is contemplating viewing this movie… do it. I only hope that you, too will have the pleasure of being able to fully indulge in this feast for the senses.
Extra Features
(….) really doesn’t mention all the extra “goodies” that they’ve encluded in this Special Edition of Anna and the King, so I was thrilled to discover a good two hours of behind-the-scenes features, a trailor, music video, and more! The DVD quality is excellent, very sharp and clear, with a very well-done enter-menu feature, and deleted scenes, including an extention of the “White Elephant” sequence, and the “Prologue” and “Epilogue” scenes. The six featurettes are pretty repetative – if you’ve seen one, you’ve seen them all, but the interviews with Foster and Yun-Fat are pretty darn cool. All in all, a wonderful DVD from Fox… and an excellent film. If you enjoy epic romances, simple tales made exceptional by breathing romance and a passionate, gorgeous backdrop, with sets made perfect down to the tiniest detail, a film that will make you laugh, and make you cry… Anna and the King is it! The movie of the year! Don’t miss it… and don’t miss this edition!
Grand Style Entertainment
How disappointing that this brilliant and spectacular movie was almost ignored totally at the recent Academy Awards. This version of “Anna & the King” is superb entertainment, with all it’s grandeur and spectacle that is sadly lacking in many box office hits these days. Although the musical version “The King and I” will always remain as a great classic, this one surpasses it with its dramatic content and impact. This film boasts superb photography and tight production values. The musical soundtrack is outstanding, and of course the costume designing also deserves accolades. As far as acting is concerned, why was Keith Chin as Prince Chulalonkorn not get nominated for an academy award? His performance was excellent. Of course there is much debate of Jodie Foster as the English teacher. I feel that she gave her best (as usual) in the role. Chow Yun Fat who is more renowned for his action roles is a pleasant surprise. His screen presence is dominating and was perfect as the King. This must be his most challenging role in his career, and he handled it very well, and made a very believable King Mongkut. This movie should be on the top of the list of any collector’s list. I just cannot wait for the DVD version to be released, as it deserves to be watched over and over again. Despite its box-office disappointment, I am quite certain it will gain its popularity on the Video and DVD market.
Cary Grant’s Biography at a Glance
Cary Grant’s name has forever left a mark in the movie history. People would never forget how he made the big screen more exciting with his manly appeal. Cary Grant’s characteristics seem to be the ideal leading man. Cary has starred in a total of 73 movies; an amazing large number of movies that is proof of his bankability as an actor. Cary Grant died at 82, ending a lifetime of a successful career in the movie world. He was even hailed as the second Greatest Male Star of All Time by the American Film Institute. Indeed, this shows that Cary Grantcareer had been a successful one.
What Cary Grant did to sustain a place in the movie world
Starring in a total of 73 movies is almost unbelievable. How then did Mister Grant achieve all these? The answer to Grant’s success is his flair for surprises in all his movies. Grant’s looks can be the depiction of a Prince Charming taken straight off a children’s book. Despite all the other dashing lads during his time, Grant was exceptional. In Cary Grant Movies, his surprises for his audience comes from his impressive movie roles. Hence, moviegoers always look forward to another Cary Grant movie because they know that there will be something different in his next show.
Cary Grant was also a very versatile actor. Cary Grant may be a sought after leading man but he was not contented in being just that. Cary Grant used his sense of humor by enganging in comedy roles.
In addition to all that, Cary Grant was also known for his independent stance in decision making. He simply did not agree to being bossed around by people when his career decisions are on the line. He did it during a time when actors were not given enough control over the management of their careers. He had a stand on which movies he would participate in, his co-stars and other important facets of his career. Grant did not settle in being an ordinary actor but ventured into money making opportunities in the cinema world too. Gratley Productions is a product of the entrepreneur in Cary Grant. This made him stand out amongst all the other stars during his time.
Issues on Cary Grant
Like all popular stars, Cary Grant also had his share of controversies and issues. Grant’s romantic relationships were always under public scrutiny. He had a colourful and eventful relationship life and had five marriages in his lifetime. Despite the huge number of marriages, there were also reports expressing doubts on Grant’s sexual orientation. Some people, even former relationship partners were allegedly saying that Grant was bisexual.
He-Man and the Masters of the Universe – Season One, Vol. 1 Streaming
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He-Man and the Masters of the Universe – Season One, Vol. 1 Streaming.
Movie Title: He-Man and the Masters of the Universe – Season One, Vol. 1 He-Man and the Masters of the Universe – Season One, Vol. 1 is available for streaming or downloading. Click Here to Stream or Download He-Man and the Masters of the Universe – Season One, Vol. 1 |
Season 1 – Volume 1: He-man & the Masters of the Universe! The classic 80s cartoon FINALLY arrives with all its memorable characters, stories & fantasy, digitally remastered with extras! This descend – trace the date! October 18th! Piece 1 of 2, Season 1, this place is chock-a-block with unbelievable extras. The hit cartoon adventure series brought to life the adventures of Prince Adam & his alter-ego, the distinguished He-Man battling the nefarious Skeletor to protect the secrets of Castle Grayskull. Son of King Randor and Queen Marlena of Eternia, his faithful sidekick was the cowardly green & orange pet tiger, Cringer. “By the power of Grayskull!” Adam’s scream in times of misfortune, together with his magical ‘Sword Of Power’ transformed them into the great He-Man and the ferocious tiger, Battle Cat. Aided by Man-At-Arms, Duncan (the slightly older scientist and Adam’s mentor), his adopted daughter Teela (Captain of the Guards and Prince Adam’s aide), the quirky & amusing Orko (the shrimp floating magician) & Ram Man (kind hearted, but humdrum “human battering ram”) with his winged ally Stratos, the team faced the forces of bad. The Sorceress of Castle Grayskull entrusted Prince Adam with the Sword of Power to defend the elegant kingdom of Eternia and Grayskull – said to occupy the powers to rule the entire universe.
Heading the forces of darkness was Skeletor, the sinister hooded skull face, residing on the murky side of the planet in his remarkable fortress, Snake Mountain. While the savage, dim-witted Beast Man, who possessed telepathic control over many animals was his legal hand; it was Evil-Lyn, the incredibly shrewd witch who played on Skeletor’s troop for sheer convenience, only to lift power for herself at the moral moment. The cyborg-like Trap Jaw, aquatic warlord Mer-Man, and the three-eyed, pan-visioned Tri-Klops completed Skeletors army.
The demonstrate ran for two seasons, of 65 episodes each – hence the DVD release of each season has been split into 2 Volumes each, over the next 2 years. Initially, many of the stories build our heroes against Skeletor, revolving around Castle Grayskull. As the series grew the adventures took them to many different locations and foes, often putting characters on both sides of the battle. Sometimes criticized for being too shaded & violent for its time, this claim seems a diminutive redundant in today’s age of children’s graphic animation. Particularly note-worthy is that each episode ended with one or two of the characters presenting a honest from that episode’s anecdote – the consequences of thoughts & actions, which makes the series particularly relevant given the times we live in. For fans of the demonstrate – its a immense chance to relive those golden moments of childhood, & hopefully it will start the door to a whole unique generation of fans, adults & kids. Come By ready to feel the power of Grayskull!
Buy,Download, Or Stream He-Man and the Masters of the Universe – Season One, Vol. 1! Click Here
DVD contents:
-33 digitally remastered episodes
Buy,Download, Or Stream He-Man and the Masters of the Universe – Season One, Vol. 1! Click Here
-6 DVD box place
-2 Modern documentary features
-2 collectible art cards (this is an ongoing plot starting with the Best Of release)
-More special features like Character Bios, Record Boards, Scripts, etc.
Complete 33 episode listing:
Buy,Download, Or Stream He-Man and the Masters of the Universe – Season One, Vol. 1! Click Here
Buy,Download, Or Stream He-Man and the Masters of the Universe – Season One, Vol. 1! Click Here
01 – “The Cosmic Comet”
02 – “The Shaping Staff”
03 – “Disappearing Act”
04 – “Diamond Ray of Disappearance”
05 – “She-Demon of Phantos”
06 – “Teela’s Quest”
07 – “The Curse of the Spellstone”
08 – “The Time Corridor”
09 – “The Dragon Invasion”
10 – “A Friend in Need”
11 – “Masks of Power”
12 – “Evil-Lyn’s Spot”
13 – “Like Father, Like Daughter”
14 – “Colossor Awakes”
15 – “A Beastly Sideshow”
16 – “Reign of the Monster”
17 – “Daimar the Demon”
18 – “Creatures From The Tar Swamp”
19 – “Quest for He-man”
20 – “Dawn of Dragoon”
21 – “The Royal Cousin”
22 – “Song of Celice”
23 – “The Return of Orko’s Uncle”
24 – “Wizard of Stone Mountain”
25 – “Evilseed”
26 – “Ordeal in the Darklands”
27 – “Orko’s Current Uncle”
28 – “The Defection”
29 – “Prince Adam No More”
30 – “The Taking of Grayskull”
31 – “A Yarn of Two Cities”
32 – “Search for the VHO”
33- “The Starchild”
Why this ghastly statement??? Originally cartoons were shown on Saturday morning only. He-Man was the first point to to be syndicated through a network other than the titanic 3 (ABC, NBC and CBS) . What this meant was that an episode was shown every afternoon instead of unprejudiced on Saturday mornings. Wow… 65 episodes were made per year instead of only 13 that were normally produced for a typical Saturday point to and this made for an improbable following. Who didn’t peruse this indicate? Even parents would comment about it when they asked what I did for a living and I mentioned I was an animator on He-Man. This was one of the last shows done entirely in the U.S. as most of the animation work was being sent overseas by the early 80′s. Lou Scheimer was the founder of Filmation Studios and made a announce to preserve the work in the U.S. and was just to his word until it became impossible to compete with the wages being paid overseas and, sadly, the studio closed in ’86 but not until after the successful runs of He-Man, She-Ra, Ghostbusters and the final series Bravestar. My memories working at Filmation are some of the best I have of my 25+ years in the animation industry. He-Man changed the diagram cartoons would be viewed forever… this is a must have situation!!!! Lets hope they settle to release some of the other memorable piquant shows created at Filmation Studios.
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Stream The Barefoot Contessa Online
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Stream The Barefoot Contessa Online.
Movie Title: The Barefoot Contessa The Barefoot Contessa is available for streaming or downloading. |
This 1954 film was written and directed by Joseph L. Mankiewicz who certain does know how to perform movies. In one of the very first scenes, Ava Gardner is dancing in a nightclub in Spain. We know she’s broad even though the camera isn’t on her for one small. All we do is hear the music and behold the faces of the people watching her. By the time we do gawk her, she’s already in her dressing room. She’s absolutely blooming and lights up every scene she’s in. We contemplate her character’s rise to movie stardom and fragment the unfulfilled life she leads. And then, unbiased when we judge she’s finally found happiness, tragedy strikes. It’s a original day classic drama with a record that pulled me fair in.
Humphrey Bogart plays a movie director who befriends this “barefoot Contessa”, nicknamed that because she was once so bad that she didn’t have shoes. She prefers going barefoot and this theme is emphasized all the time, showing her barefoot whenever possible. Rossano Brazzi, who doesn’t appear till unhurried in the film, is cast as the factual romance in her life. All of these actors do a generous job, but I was particularly impressed with the performance of Edmund O’Brien, cast as a public relations man for a studio executive. It’s a itsy-bitsy portion but I impartial kept thinking how grand he was. Later I discovered that he won an Academy Award for this role.
It’s the screenplay that moves the action. It never lagged and I sat there with my eyes glued to the camouflage wondering what would happen next. Considering that this is basically unprejudiced a admire narrative, that’s saying a lot. I totally enjoyed the viewing experience. It’s too terrible though, that there were no features included on the DVD. It would have been nice to have a small more background. “The Barefoot Contessa” gets a high recommendation from me unprejudiced because I enjoyed it so grand.
Yes, this is a noteworthy more broken-down movie than most are broken-down to these days and the epic takes a bit longer to win momentum.
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Buy,Download, Or Stream The Barefoot Contessa! Click Here
The characters actually have depth and they can act! How refreshing. While watching I found myself objective intrigued with Ava Gardner and believe she is perhaps one of the most shapely women ever to grace the earth. The dialogue is simply deliciously revealing as the characters deliver from their hearts.
“There’s more to talking than unbiased words…”
Buy,Download, Or Stream The Barefoot Contessa! Click Here
Ava plays the Barefoot Contessa, Maria Vargas who is discovered in Madrid. I expected there to be mighty more dancing in this movie, being it was about a dancer. However, there is unprejudiced really one scene of her dancing out in the commence with her gypsy friends where she sees the man she falls madly in care for with. He is a nobleman and can provide everything for her. She sees him as the man who has seen more in her than any man ever has before.
The scenes where Ava and Bogart deny are the most meaningful. Bogart has a blueprint of bringing out Maria’s natural curiosity. When anyone tells her “no” she says “yes.” She is certain to be owned by no one and yet, everyone seems to want to occupy her. She fears being exposed and unprotected. Emotionally, she is collected a child in many ways and believes in fairy tales. The harsh realities of loving someone and not receiving it in return seem foreign to her.
The first scene is in a graveyard and from here, the scenes flash befriend to the past in a continuous fashion throughout with narration. Each portion of the narrative is revealed at objective the legal moment.
The rest of the movie seems to deal more with her career and care for interests. The theme of Cinderella and “shoes” plays out well and is very famous in many ways. I opinion that even though it wasn’t really mentioned, when Maria says she didn’t forget her shoes in one scene and Bogart picks them up for her, this symbolizes her complete trust in him. Inspect for the significance of the shoes in one of the last scenes as well.
The prince in this chronicle loves Cinderella, there is unbiased something he can never give her. While Maria says she needs someone to savor her and earn her feel fine, she wants the entire “Prince” package. What she finds is someone who doesn’t care for her enough at first, to reveal her he can’t gain her completely jubilant.
Che Sara, Sara
~The Rebecca Review
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