Posts Tagged ‘teacher’
Watch GTO – The Test Online
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Watch GTO – The Test Online.
Movie Title: GTO – The Test GTO – The Test is available for streaming or downloading. |
The popularity of this series is rising, as DVDs sell out in retail stores around the Bay Set. In this fourth installment of the Broad Teacher Onizuka saga, Onizuka chases after a kidnapped student, putting at risk his hold future career; achieves fame at the expense of his skin; and encounters Urumi, the “teacher-eater,” and comes up with a special therapeutic class for said student that most definitely does NOT approach recommended by the PTA.
As in previous DVDs of GTO, the strength lies not in the animation so great as it does in the storyline. There’s an urban eye to the animation, which concentrates more on storytelling rather than aesthetics. CGI makes its first appearance here in the body of the Vice-Principal’s fourth Cresta, but the employ of what could be a jarringly inconsistent medium is oddly appropriate given the object in interrogate and frenetic quality of the animation.
Once more, the actual strength is in the character of GTO, that off-beat, off-his-rocker gang member-turned-teacher. His recent ways of caring for the damaged goods that are his students would give most people stay. For all his wild, reckless and seemingly irresponsible ways, he’s somehow exactly what his students need. The characters and storylines constantly remind us that there’s a lack of innovative, alive to teachers in the schools. In the magical world GTO lives in, reprecussions are, if not absent, at least avoidable. The stories seem to suggest that the plot in the schools has become rude, thanks to well-intentioned but blind parents and indifferent administration and teachers, and that only crude measures have any chance of success.
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As in the previous disks, the writer mostly avoids the trap of stereotypes and cliches. There are no awful people, honest damaged ones; children are not inherently rank, they’re simply misdirected, misunderstood, or overburdened with parental baggage. In short, humans are human. GTO’s erratic maneuverings through the shoals of teenage cliques, antagonistic administrators, jealous colleagues, and self-righteous parents are a joy to recognize. If his activities are disconcerting at times, they’re also though-provoking, and more than once the viewer gets a suspicion he’s a caricature of himself.
I heartily recommend this one, for those looking for something more than big-eyed, big-boobed babes. Be warned for a lot of unsubtle sexual innuendo, some pointedly fuzzed-out anatomy, and Onizuka’s ongoing hunt for a bit of honey. (“Over the age of 19, a pity about that inconvenient law…!”)
This fourth volume in the extremely addicting GTO series is by far the best, having watched the subsequent volumes.
The dwelling is simple enough: Eikichi Onizuka, a musty bike gang member, college karate champ, 22 years weak and a bachelor, has taken it upon himself to be the world’s greatest teacher. with microscopic or no qualifications, he somehow gets well-liked into a prestigious school, is assigned the worst class of delinquents ever, and proceeds to work on taming the adolescent beasts.
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Simple location, complex protagonist. Onizuka is the definition of “man-child,” the battle with the man and the child within him always in conflict. This is key as the series plays up the ongoing battle between the students and adults, be it teachers, administrators, parents or politicians. Onizuka is into videogames, internet porn, costumes, launching bottle rockets and ogling schoolgirls. At the same time he has a better sensitivity toward the loyal causes of the students problems, be it parental conflict, unpleasant past experiences with teachers, money or bullying. Then again, he likes to deal with his problems in the most unorthodox methods, i.e. beating up students.
Just like standard fighting animes, Onizuka has to deal with various opponent-students during the course of the series. By now you’ll have been introduced to bully Aizawa Miyabi, clean intellectual Kikuchi, ditzy Tomoko, and fierce Kunio Murai.
This time, Onizuka must face super-hot super-genius Urumi Kanzaki, a blonde-haired, brown-and-blue eyed angel, who gets special treatment from the school, smart that with such intelligence, her future success means tons for the school’s reputation. Her thing is to “ask a inquire of” from the teachers–traslating into humiliating them by showing them she knows more, far more about their subject than they do.
The sub-story line includes a girl from another school with a foot-fetish, who also has sway in getting Onizuka possibly fired.
This volume is sizable for so many reasons: the introduction of Kanzaki, the extremely speedily stir and fine level of humor, as well as the ending…guaranteed frigid.
The art is on a par with Dragonball Z, and watching this series in Japanese is *necessary*! Not only are their numerous word jokes (that a student is suffering a trauma, pronounced “tora-uma” evokes an image of a giant tiger-horse animal in Onizuka’s mind), or that the English teacher struggles with and forces English, the sage has graceful distinguished differences from the English to the Japanese version. The Japanese vocal cast is far splendid, and the vocal intonations better match the facial expressions; the storyline and what they say are far more risque and naughtier than the English dub as well.
This volume is what GTO is all about, why the series is as top-notch and addicting as it is. Stout chronicle, side-splitting humor, pleasurable action, well-felt tension and sadness as well. If I could have only one (which isn’t possible) this would be it.
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Streaming The Reader Online
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Streaming The Reader Online.
Movie Title: The Reader The Reader is available for streaming or downloading. |
I am writing this review on Oscar Nomination morning (although due to the fact that I refuse to post a review until the DVD has dropped you will be reading this mighty later) mostly due to my elation that it has been nominated for not only the agreeable performance by Kate Winslet (in the good category mind you) but also for Best Characterize, Best Director and Adapted Screenplay. I’ve been chomping at the bit to write this review ever since I walked out of the theater a few weeks wait on, and since then I’ve seen the film a represent three times and I would notice it again apt now if I could. I’ve pondered this film, discussed this film, relived this film and can honestly designate it the best film of the year and quite possibly one of the best films I’ve seen in a long time.
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Sure, you can be rapidly to pinpoint it’s supposed faults, and you can try and sign it something that it is not, but if you allow your eyes to launch and your mind to enjoy you may be able to peek this for what it really is; a masterpiece.
When sitting down to write this review I asked my friend how I was going to be able to do so without being redundant or irritating. I mean, how many different ways can you say masterpiece before someone says “I fetch the point, now go on”? I’m going to try and catch all that out of the map upright now so that my review will be savory.
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`The Reader’ is a masterpiece.
Okay, I’m done now.
Having read Bernhard Schlink’s glowing recent I was really anticipating this film. I feel that Kate Winslet is the finest working actress today and this impartial seemed like such an ideal role for her (Oscar, if you pass her over this year I bid to never stare another telecast) . I of course try and shrug off all `high expectations’, and thankfully with `The Reader’ there was no hype. It hasn’t been hailed as the best of anything, and while it has landed on a few top ten lists it rarely breaks stop to the top. The reviews have been mixed, some raving it as a masterpiece, some labeling it a faux; an imitation of a more insightful film. The only awards the film has garnered up until the point have been for Winslet so walking into the film, I was not feeding into hype.
I was simply hoping to inspect a excellent movie.
The film tells the record of Michael Berg, a young fifteen year conventional boy living in Post-WWII Germany. One day while making his blueprint home he falls ill and is helped abet by an older woman named Hanna. After waiting out his illness he attempts to thank Hanna but he winds up falling into a steamy affair. The two bond over books, using reading as a manufacture of foreplay, and the two become almost inseparable. Then for no apparent reason Hanna leaves town without a word and Michael is left wondering why his only admire has left him. Years later while Michael is attending law school he gets the opportunity to sit in on a trial being held over war crimes and is skittish, and ultimately heartbroken, to watch Hanna is one of the accused.
First and foremost it should be addressed that this is not your typical Holocaust film, for quite frankly the Holocaust is the least impressionable portion of this film. The film, like the current, deals strongly with the feelings of guilt and redemption. There is a apt play that runs throughout each scene that begs the audience to cast judgment, but not in an absolute design but in a more complex and plan map. `The Reader’ has no easy answers, but it throws at the audience a bit of a conundrum. It reminds me very distinguished of `Dead Man Walking’, a film that appears to have such an easy reply yet causes you to rip apart your contain ideals.
I am keeping SPOILERS to a minimum here, but be forewarned that there may be a few.
When we meet Michael and Hanna they seem like an weird match. He is obviously better off financially than she is. He is attending school and is doing rather well. Hanna is working a humdrum ruin job and living in a miniature apartment. Her education is minute but her yearning for more is apparent. There is an attraction physically, which cannot be denied. While Hanna is rough due to the nature of her life she is a diamond in the rough, a pretty woman trapped within the shell of her archaic life. Michael is young and coming into his own; a sparkling boy with a head on his shoulders.
There’s innocence within him that Hanna desires.
Their relationship is very rapidly and very graphic, but there is a sincerity there that one needs to truly behold for. Some have complained that the relationship was pure surface; nothing but lust. They are missing something crucial. `The Reader’ is a film filled with detached moments that advise volumes about the characters. There is a deeper connection between these two souls, one that maybe they can’t even peruse. There is a moment where Hanna finds herself inside a itsy-bitsy church listening to a young choir and the tears are streaming down her face, and as Michael watches her from the doorway we can survey it; even if he or even she doesn’t truly understand it.
It is there.
As the film progresses and the two are separated we initiate to truly behold the deeper connection that they are feeling for the first time. As the trial proceeds Michael is caught between his fill feelings of moral and wrong; between what is ethical and what is not. He is timid by the revelations concerning his stale love; distraught over what this means for him and whether or not it had anything to do with his personal attachment to this woman.
Can he bring himself to despise her? Can he bring himself to forgive her? Does she deserve that hatred or that forgiveness?
There is a moment when Michael is attempting to visit Hanna in prison when everything makes sense; his eyes swelling with an emotion he has yet to fully realize. He struggles to convince himself that he hates this woman, because hating her would obtain it easier to forget her.
`The Reader’ is a masterfully crafted record of cherish and loss; of what we explain ourselves in order to better understand something we haven’t the capacity to capture. There is the shame in Hanna’s eyes as she hides her secret (one that you no doubt had guessed long before it was revealed, but the revealing of the secret is not really the point of the chronicle), willing to sacrifice her very life so as not to be downgraded or looked down on. There is the guilt in Michael’s eyes as he blames himself for Hanna’s fate, unable to step outside his skin long enough to choose the suitable course to case. This is a legend about mistakes and missteps and regrets and the ultimate loss that comes from not fully belief how to feel.
Technically, this is a flawless film. I remember reviewing `…Jesse James…’ last year (this spot unexcited won’t let me type in that chubby name) and going on and on about how technically perfect it was, from the cinematography to the bag to the lighting to the mood to fair about everything. `The Reader’ is the right opposite in scope yet honest as profound. It is a worthy subtler film, and so the find, the lighting, the cinematography and the place designs are smaller, yet honest as pristine. Everything is so crisp and delicate; adding layers to the mood perfectly presented by director Stephen Daldry. I was a cramped hesitant about Daldry’s ability to transfer Schlink’s recent to the spacious conceal. I loved `Billy Elliott’ and continue to appreciate it more and more every time I explore it, but Daldry’s latest exertion was that 2002 debacle `The Hours’ and so I was truly troubled that he was going to speed the same gamut and deny a similar part.
`The Reader’ is not only considerable more profound and poignant, but it is also executed better than `The Hours’ (to be comely, I need to stare this movie again, but I was not impressed the first or second go around) .
When it all boils down to it though, this movie is all about two things; Kate Winslet and David Kross. Both actors recount career highs (and to say that about Winslet is saying a lot since she is always top notch) . Their performances are truly organic. That has become my fresh common word this year, for I feel as though it truly taps into the depth of these performances. There is a naturalness that fortifies itself within these performances, deepening with each flicker in the eyes or twitch under the skin. Try your hardest to contemplate Winslet’s face (I know it’s hard, especially since she is without clothing for practically the whole first hour of the film) . There is a scene where she is lying in the bathtub and Kross comes in to hash out their argument. As he speaks you can peer for the first time her hard exterior melting away and revealing this woman that she doesn’t even know exists. It is so subtle yet so profound.
Winslet is convey perfection.
Kross is unprejudiced as first-rate, sinking into his character and delving deep into his emotional responses to his recent residence. The scene in the courtroom (all of the courtroom scenes are beyond breathtaking) when he notices Hanna for the first time is utterly immobilized. See as Kross exhibits such a natural gut reaction; as controlled as he can be yet giving intention to lapses of uncontrollability.
The supporting cast is also fine, from Fiennes’ dynamic idea of Michael’s emotional regression to Bruno Ganz’s bewitch of the proper set at hand. The one standout here is truly Olin, who proves to be one of the most famous facets of the film. Her final scene with Fiennes is what makes the movie work, dispelling any easy sympathies for Hanna’s atrocities with her wintry standing. For anyone who has complained (and there have been many) that this film tries to condone the actions taken by Hanna I run you to rewatch and explore this scene, for in a few short words Hanna’s actions are condemned wholeheartedly.
Remember, it is not her actions that we are sympathizing with, it is her inner person; icy and rigged yet incomplete, pleading for something or someone to do her feel whole.
Thanks in substantial section to David Hare’s satisfactory adaptation, `The Reader’ lives up to its source material and delivers a truly outstanding and utterly fantastic gape at this tragic yet gorgeous fancy anecdote. If you lumber away from `The Reader’ unmoved then maybe you are honest dumb unmovable.
I’ll discontinuance by saying that the Oscar’s have passed, Kate won the gold (YES!!!) and I mild agree wholeheartedly with every word in this review.
This wasn’t really on my radar, until I started reading valid reviews of it, and that, plus the fact of Kate Winslet, one of the few women I would unquestionably go straight for, conspired to send me off to the multiplex, where everyone else was billing and cooing over Marley & Me.
We have a brief snippet with Ralph Fiennes as this fellow Michael as an adult, then flash befriend to 1958 Germany, where he suddenly becomes sick in a street. Gruff woman Hanna, Winslet completely convincing as a German woman, comes and helps him and takes him home. Turns out he has scarlet fever, and is laid up in bed for three months. When he’s better, he returns to her apartment to thank her. He visits again, and eventually the 16-year-old boy and the woman in her thirties are in a sexual relationship.
She provides his sexual education, and soon she asks him to bring things and read them to her. They consume many nice hours with him reading to her before or after sex. Michael grows to esteem her and is thrilled to have such an lively secret, but soon he finds that it interferes with him having normal friendships and girlfriends with people his possess age, since he is always running off after school to be with Hanna.
Eventually the affair abruptly ends. Years pass, and Michael goes to law school. The class goes into the city to search for a war crimes trial as a lesson, and Michael is surprised to contemplate Hanna there–on trial. She joined the SS after their affair, as a nurse, and was in particular partially responsible for the burning deaths of a number of prisoners. Michael is very upset at the entire thing, but can’t really confide to his fellow students, and by this time has started to ogle that he has pains forming deep relationships anyway.
SPOILERS > > >
Okay, serious spoilers, I’m not kidding! This part is better for people who have seen the movie. Michael tells his teacher that he has information that could affect the outcome of the trial… but he eventually declines to give it. Hanna is asked to provide a handwriting sample to present that she wrote a statement about the atrocity. Rather than submit, she admits to the crime, and thus receives a far worse sentence than the others. The reason for both Michael and Hanna’s actions? Hanna can neither read nor write. Therefore Michael could have had her exonerated, or at least significantly reduced her sentence, but he chose not to. She, too, could have exonerated herself, but she chose not to admit that she is unable to read. The film continues and throws out a few more good complications, but I judge this is the crux. < < < SPOILERS Demolish
It strikes me as being about guilt and complicity. Michael has his chance to relieve Hanna, but now he has seen that his affair perhaps wasn’t the best thing for him in the long rush, and left him with several emotional issues. So he takes his revenge–by refusing to back her, and helping her in only very runt, grudging ways later–and ways that could be considered as making her a sort of prisoner to him or someone deeply in his debt and control. Hanna seems for long periods to have no true sense–and to harshly dismiss anyone who makes claims to one–but there’s an element of her self-punishment that goes beyond superficial shame to a feeling of deeper guilt, almost as though, through whatever formed her, she believes herself to be outrageous and deserving of punishment.
So it all turns into a very literary just lesson on guilt and levels of complicity. One of those things that chooses a subject and examines it from all sides, providing several different examples and aspects toward creating a detailed whole characterize. In this map it’s a very literary film, as it’s about different aspects and shades of a belief, rather than an accumulation of events that eventually tell a lesson or provide an insight.
All the performances are very splendid. As I said, Winslet is completely convincing as a gruff German woman, and the role requires her to age to about seventy. She also makes a convincing former woman, although my only complaint is that, as an elderly woman, she mild moves impartial as snappy as her younger self. David Kross as young Michael conveys the innocent excitement and sense of specialness of being in this unconventional affair, and of course Ralph Fiennes is perfect as always. The direction [by Billy Eliot and The Hours director Stephen Daldry] is effective if undistinguished, using short puny shots at times to hiss a character’s panicked mind, without having to design another scene fair to display it.
Overall, an enthralling film with mountainous performances that offers a lot to judge about more than anything. An examination of the various aspects and shades of guilt and complicity as it relates to a obvious interrelated circles of lawful pickle. A thoughtful tiny movie you won’t regret seeing.
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Watch Teacher’s Pet Movie Online
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Watch Teacher’s Pet Movie Online.
Movie Title: Teacher’s Pet Teacher’s Pet is available for streaming or downloading. |
“Teacher’s Pet” is a deliciously comical behold at journalism, and the clash between ‘formal’ education vs. practical experience, with higher learning championed by Doris Day, and the ‘School of Hard Knocks’ represented by the ‘King’, himself, Clark Gable. Despite an sure age dissimilarity (Gable, at 57, was showing all of his years), the chemistry between the stars is electric, and with Oscar-nominated Gig Young providing terrific droll serve as Gable’s quick-witted yet down-to-earth competition for Day, the film manages to be both witty and wise.
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With over a quarter century of playing newspapermen, the role of hard-boiled City Editor Jim Gannon fit Clark Gable like an customary shoe. No-nonsense, pragmatic, and a workaholic, Gannon was the classic ‘school drop-out’ who learned the newspaper business from the ground up, and held college in contempt. While Gannon was obviously a dinosaur, even by 1950s’ standards, Gable appears to be having a ball as the cigarette-smoking, plain-spoken, ‘blue-collar’ hero.
Despite the constant “Will she or Won’t she? ” sexual undercurrent of so many of her best comedies of the fifties and early sixties, Doris Day was also a feminist during the era, with her characters self-sufficient, and often holding down essential positions based on merit. As Erica Stone, an ex-reporter who returns to college to issue journalism, her demeanor is professional and her knowledge unimpeachable, making her the perfect foil for Gannon.
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While the descriptions of Gannon and Stone sound like formula characters for Spencer Tracy and Katharine Hepburn (not surprisingly, as the script was penned by longtime friends Fay and Michael Kanin), the Gable/Day teaming provides a sexual tension that, by the leisurely 1950s, would have been far less apparent had Tracy and Hepburn taken the roles. Even at the twilight of his career, Gable was so totally ‘male’ that he raised the bar of any actress opposite him, with Day’s signature ‘perkiness’ transformed, here, into sexual potential in a tight skirt (perceive her tease Gable, swaying her hips to “The Girl Who Invented Rock and Roll”; Day has never been sexier!)
While the resolution is not surprising, some remarkably candid observations of what makes safe print journalism are given by both Day and Gable, with Day’s comment of television replacing newspapers as the public’s source for breaking news remarkably farsighted in 1958!
If you want a terrific comedy with two stars at the top of their game, peep no further; “Teacher’s Pet” delivers!
Tough, cynical Jim Gannon, a newspaperman from the “venerable school” first ridicules then falls for a lady teacher who has her fill ideas about writing the news. This puny 1958 film is a jewel because it contains one of Gable’s finer latter-day comedy performances. As the passe newsman, Gable literally had me laughing out loud in a couple of scenes – something I didn’t query at this point in his career. As Erica Stone, the graceful teacher of journalism, Day really shines in her plumb role, conveying sexiness, brains and taste in her performance. Gig Young all but steals the explain (he was nominated for a best supporting AA) in his gem of a performance as the likeable egghead Hugo Pine; his playing is serene and assured. Young eventually WON an Oscar for his colorful performance as the cynical MC in THEY SHOOT HORSES DON’T THEY? Tragically, Young fought private demons in his private life and would ultimately commit suicide – taking his newlywed young wife with him. Mamie Van Doren does okay in her role as the sexpot singer who flirts with Gable in the nightclub scene; there’s a stunning performance from Crop Adams as the apprentice newsboy to whom Clark offers fatherly advice.
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Willy Wonka and the Chocolate Factory Streaming
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Willy Wonka and the Chocolate Factory Streaming.
Movie Title: Willy Wonka and the Chocolate Factory Willy Wonka and the Chocolate Factory is available for streaming or downloading. Click Here to Stream or Download Willy Wonka and the Chocolate Factory |
The 30th Anniversary Edition of Willy Wonka and the Chocolate Factory was originally botched as a fullscreen-only concern. However, Warner listened to the people and gave them a astonishing widescreen transfer.
Colors are vibrant, the 5.1 Dolby Digital track is very nice, and there are a handful of chilly extras. There is the 30-minute documentary “Pure Imagination” which shows some of the cast today, including all the children and Gene Wilder himself. The interviews of the cast looking assist at the movie which was the defining thing for so many of them is very intelligent. The documentary on the whole is rather fulfilling. While one feels that the documentary could have delved deeper and maybe been an hour-long, at a brisk 30 minutes, the pacing seems okay and it won’t leave you wanting too considerable more. There is a small amount of archival on-set “B” roll footage, but all that is there is absorbing.
Also included is the modern theatrical trailer (Warner left off the 25th Anniversary trailer that was on the current DVD release from 1997), a 4-minute featurette on the production beget, and a feature-length audio commentary from the children, who have now grown up. The other features – “character bios” and sing-alongs – are fair great fluff features. Since this was one of my most anticipated DVD releases of the year, I can’t back but feel Warner could have done more in the diagram of extra features – games, outtakes, deleted scenes, etc. Nevertheless, the overall convey of this DVD is satisfying enough.
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As one of the greatest films of all time, and certainly one of the most delectable musicals and most delicious films of the 1970s, “Willy Wonka & The Chocolate Factory” has a timeless feel to it. This DVD deserves a plot in every collection.
If you like the movie, then know better than to be the fullframe edition, which was released earlier. Widescreen in the recent ratio is the only procedure to go. Especially in a few years from now, when we all have 16 x 9 widescreen TVs, and that “fullframe” version leaves you with great bars on the side of the TV. Gawk the movie the diagram it was made and meant to be seen – in widescreen. And when you do accept that 16 x 9 television, guess what – the widescreen DVD will own your cover!
A classic movie with classic peformances, and a amazing amount of heart. What are you waiting for — earn the widescreen 30th Anniversary Edition DVD of Willy Wonka and the Chocolate Factory so you can enter a world of pure imagination today!
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Video: A -
Audio: A
Buy,Download, Or Stream Willy Wonka and the Chocolate Factory! Click Here
Extras: B+
WOW, I can’t absorb how long ago this film was made and how fantastic it is even today! It really doesn’t seem like it’s from 1971. I have probably seen this film over 500 times by now, since the 80′s and I composed am not the least bit bored of it. At 28 years dilapidated, I collected totally worship this film!!! The characters, especially Gene Wilder who plays Willy Wonka, who is THE Willy Wonka, who could never be topped EVER (yes I’ve seen the 2005 film!), the music, the setting, the songs, and especially the Oompa-Loompa’s! Everything in this film is so wonderfully done and everyone who hasn’t seen it yet, needs to as soon as possible!!
My well-liked location or scene in the whole film has to be the titanic candy and chocolate room where Willy Wonka sings “Pure Imagination.” Not only for the song but because I can scrutinize how powerful work the director build into this film. All the candy and chocolate looks so actual and alive and the whole room looks so lovely the arrangement everything is location up! I also care for that teacher, Charlie’s teacher that you look a lot until they go into the chocolate factory, he is so comic! And it’s space in London, an added bonus!! I fair cannot net enough of this film or recommend this film enough!! It’s a masterpiece!!! It’s definitely one of my well-liked movies of all time!!!
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Who could not worship Veruca’s “I Want It Now” performance? That whole scene was totally lustrous!
The Special Widescreen Edition DVD has tons of extras. There is commentary by the kids who got to go inside the factory. You’ll also learn that Gene Wilder wouldn’t play Willy Wonka unless he was able to do that somersault that he does before letting the kids through the gate. There is an interview with Gene Wilder from 2001, The Making of Willy Wonka & The Chocolate Factory, four tell along songs, a 1971 leisurely the scenes featurette, and a photo gallery.
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