Posts Tagged ‘Texas’

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Movie Title: Texas
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Texas is not in the league with many of Glenn Ford’s and William Holden’s broad western films. Their other Western together, The Man From Colorado, is noteworthy better in every plot, but this is not a cross movie.

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Ford and Holden play two ex-Confederate soldier who head west to observe their fortune. They initially dwelling to win a stagecoach. Things go awry and they split up. When they reunite, Holden has become a seasoned robber and Ford is running a successful ranch. The inevitable conflict ensuses.

Claire Trevor, who was in The Desperadoes with Ford, Edgar Buchanan (who’s in both the Desperadoes and The Man From Colorado) provide solid attend. This movie feels artificial and forced in places, but goes a ways on the strength of its cast.

Two young drifters, Ted Ramsey (Glenn Ford) and Dan Thomas (William Holden,) secure fame and fortune, romance and adventure, in the cattle rich dwelling of Texas.

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At least Texas has cattle, gold on the hoof, if the ranchers can only salvage a contrivance to derive them to market. The rest of the post-war (1866) country is experiencing famine and starvation, and it’s a fur allotment to the stockyards and railways of Abilene. Fur and uncertain. The toddle is lousy with cattle rustlers. Our heroes, Ford and Holden, are a couple of personable saddle tramps who commence out together, are separated early, inadvertently thrown help together a short time later. Texas may be a mammoth position, but it’s a itsy-bitsy world. Unfortunately for their friendship, but famous to the place, before they reune one becomes interested with the genuine, decent, correct ranchers while the other has through in with a scurrilous, cattle-thieving, rough bunch of prairie thugs. Add a handsome young rancher’s daughter (Clair Trevor as `Mike’ King) and you’ve got yourself a movie.

TEXAS opens with a long, long, looong scene that – until you realize this is a western-COMEDY – is, frankly, sparkling tough to endure. We’re in Abilene with Dan and Tod (wonder how many people in 1941 even recognized Ford and Holden before they stepped forward out of the crowd scene? ) There’s a prize-fight, two bare-knuckle pros, winner-take-all. Halt me if you’ve heard this one – one of the fighters has a disabling injury upon entering the ring, and one of our cash-strapped buddies decides… okay, everyone from Abbot & Costello to Laurel & Hardy have played this tune. It’s a staple of buddy films, and when handled suitable hilarity ensues. In here things kind of, well, miss the beat. George Marshall directed, and his credits include a number of comfortably laughable, rather that side-splittingly hilarious, action movies. The list includes `Destry Rides Again,’ `The Ghost Breakers,’ and `Papa’s Pretty Condition.’ The comedy in TEXAS is blunt, laconic, and for those who don’t gape the humor in a herd of cattle walking through a room in which a man is taking a bath in a metal tub, or a skinny Bill Holden duking it out for 35 rounds (!), not to everyone’s taste.

Tranquil, TEXAS is an easygoing showcase vehicle for a couple of promising young stars, the underrated Clair Trevor adds spice, and the always welcome Edgar Buchanan chews up a astronomical chunk of time as the somewhat grimy and seedy town dentist. Could have done without the running gag of building scenes around his checking out a feller’s bicuspid – substandard looking dental equipment benefit then. Despite its faults I enjoyed TEXAS quite a bit. Ford and Holden are very young and sparkling raw, and it was involving to stare them in their first starring vehicle. The place wasn’t interesting, but it was familiar and comfortable. Fans of the stars, or of conventional B-westerns, should gain a kick out of it.

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Movie Title: Texas, Adios
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European star Franco Nero may always be remembered for his roles in Sergio Corbucci’s movies, Django, Sergei Kowalski, Yodlaf Peterson, but he made a handful of other spaghetti westerns worth watching, this one included. Nero plays Burt Sullivan, a sheriff of a Texas border town. But one day, he decides to leave the town and promenade into Mexico in search of Cisco Delgado, the man who gunned down his father many years before. Tagging along with Burt is his younger brother, Jim, who’s inexperienced but mild righteous with a gun. The two brothers score out that Delgado has made quite a life for himself, basically ruling a Mexican town and his colossal estate with an iron hand. Burt wants to bring him relieve to Texas to face a reflect, but upon meeting him discovers a stout secret that could swagger him and his brother apart. An early spaghetti western from 1966, Texas, Adios could have passed for an American western in many ways. It doesn’t have that shadowy, cynical feel that many later spaghettis did, but it’s collected a obedient movie for fans of the genre. Lots of suited action with plenty of fistfights and shootouts. The music is friendly, especially the main theme, but the Texas, Adios song is splendid poor. Fans of spaghetti westerns won’t be disappointed, there’s plenty here to recommend.

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Fair up there with Clint Eastwood and Lee Van Cleef as some of the biggest spaghetti stars, Franco Nero is very trustworthy here as Burt Sullivan, the Texas lawman seeking vengeance on his father’s murderer. Nero was always fine as the smart-mouthed gunman, here he’s more serious, but his role is strong impartial the same. And if nothing else, it’s fun to watch Nero as a lawman for once, not an outlaw/bandit. Alberto Dell’Acqua, credited as Cole Kitosch, plays Jim, Burt’s younger brother who tags along with his brother into Mexico. Jose Suarez gets to be the villain here as Cisco Delgado, the man who killed the Sullivan’s father and now is a wealthy landowner. Delgado isn’t a typical spaghetti abominable guy, but that has to do with the twist delivered about an hour in. The rest of the cast includes some recognizable faces from the more mainstream Italian westerns including Luigi Pistilli, Livio Lorenzon, Elisa Montes, José Guardiola, Gino Pernice, and Silvana Bacci.

The Blue Underground DVD is a welcome addition to any DVD collection with a racy looking widescreen presentation, “Befriend in the Saddle with Franco Nero,” a six-minute interview with Nero about his experiences in Italian westerns, a trailer, and a detailed Nero bio in menu originate. Also worth mentioning, Italian audio and English subtitles are included because the dub isn’t one of the best. So for an challenging spaghetti western led by Franco Nero, check out Texas, Adios!

Franco Nero heads down to Mexico to snag the guy who killed his father years assist, so he can stand trial in Texas. Nero’s brother tags along as well. The villain’s now living like a king down in Mexico and practically runs the whole town, so he’s certainly not gonna unprejudiced let Nero seize him that easily. But we all know that what Franco wants, Franco gets. In upright James Bond tradition, the villain invites Nero and his brother to dinner instead of fair having them killed on the state. Why? A twist in the area, that’s why! There’s more to the relationship between the brothers and the villain that meets the recognize. There’s also some revolutionaries plotting a gargantuan attack, noteworthy to Nero’s advantage. As stated before, this spaghetti western has more in approved with the American westerns of the time. This is one of the few times you’ll glance Nero as a lawman rather than an outlaw. While it may not be Django or Keoma, this is a very reliable and first-rate addition to the world of spaghetti westerns.
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Movie Title: River Monsters
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Ever since watching the first episode of River Monsters, I’ve been bent (no pun intended) . It really makes you judge of what is lurking beneath the surface of the worlds oceans, rivers, and streams. The demonstrate is both educational and it will effect your skin move!

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Trust me, seeing a man nearly swallowed by a giant Amazonian Catfish, it’s unprejudiced down true out creepy! Anyways, below is the episodes that are included on this Season One spot. This space contains all seven episodes from the first season. Season Two premieres Spring 2010!

Episode One- Piranha

- In 1976 a packed coach crashed into the Amazon killing 39 people. By the time the bodies were pulled out by rescuers some had been so viciously mutilated by piranha they could only be identified by their clothes. Tracking down survivors and eyewitnesses of piranha attacks, Jeremy Wade reveals why the piranha fills our nightmares.

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Episode Two- Killer Catfish

- Two years ago, on the treacherous Kali River, high in the mountains of Northern India, Jeremy Wade unearthed the mother of all fisherman’s tales and the ultimate freshwater horror: a super-sized freshwater fish turned man-eater. Jeremy takes on the biggest, toughest challenge he’s ever faced as he heads attend to the Himalayas to separate fact from fiction and track down the repulsive beast.

Episode Three- Alligator Gar

- In the Deep South is a river monster with the reputation of a devil. Blamed for a series of violent attacks on humans, this creature is said to be as vicious as a shark and as gigantic as an alligator. The authorities said it should be annihilated, but not all are so speedily to condemn it. Gross angler Jeremy Wade heads to Texas on its spin in an attempt to relate the facts tedious this animal’s notoriety. Helped by local expertise and with his believe wits honed gripping, he finds modern ways to articulate the truth about the monster alligator gar.

Episode Four- European Maneater

- Reports of an attack on a swimmer in a lake terminate to Berlin is the starting point for an intense and horrible investigation. Wade travels to Germany where he meets modern-day victims of a beast that has been raising its snout above the surface of freshwaters in Europe regularly over the past 700 years. Investigations go to Spain where Wade discovers firsthand that the wels catfish is a living, breathing aggressive predator growing to man-eating proportions trustworthy of everything depicted in medieval records and more.

Episode Five- Amazon Assassins

- In the darkest depths of the Amazon lurks a dinosaur. Legends assert of an nasty spirit inhabiting an huge fish. Taller than a man, it is covered in scales and crushes its prey with a tongue made of bone. Jeremy Wade has encountered this creature once before, and he came out second best. He’s taking no chances in the rematch.

Episode Six- Amazon Flesheaters

- A man swallowed whole by a fish. A body eaten alive from within. Another penetrated in a most unnatural fashion, and yet more with multiple stab wounds. Jeremy Wade is in pursuit of these illustrious killers to view the facts — to resolve if their crimes are actual and their methods as ghastly as reported.

Episode Seven- Freshwater Shark

- No fish inspires the same dismay as the shark, a creature with an insatiable hunger for brutal violence. But at least these killers are confined to the oceans. Or are they? Expert angler Jeremy Wade investigates whether it’s possible for sharks to live in freshwater, and if so unbiased how far inland these vicious predators will bring their reign of dread.

River Monsters is a large indicate. If you’re a fisherman, or a fan of water creatures, this is the note for you. Factual it’s no Meercat Manor, Orangutan Island, or Hasten to Chimp Eden, but its composed a broad exhibit. My advice, select this DVD! But I would wait for the heed to go down some!

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postheadericon Stream Bowling for Columbine Movie Online

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Movie Title: Bowling for Columbine
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I’ll be ravishing first. I don’t always like Michael Moore. While some of Dreary White Men made me laugh, other parts were offensive to me, particularly a chapter devoted to his occupy foriegn policy “ideas.” His next film is going to be called Farenheit 911, and he’s said that he’s definite to release it in October 2004, accurate before the election. I’m not a fan of Bush, but I anxiety it may be hard to sit through a movie that was created entirely to slander someone.

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That’s why I like Bowling for Columbine, because I sense unprejudiced intentions slack it. Moore comes from Flint, Michigan, a state where a puny girl was shot by her classmate shortly before Bowling for Columbine was shot. He’s unlit to view these happening to our nation’s children, and he wants to know why. The most necessary fraction of this film, at least in my understanding, is how it systematically refutes “explanations” for gun violence.

-Charlton Heston blames it on a “mixed ethnicity,” but Moore claims Canada had an even bigger mix, complete with a lower crime rate.

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-Violent video games? Japan has distinguished more violent games than we do, and their homicide rate is grand lower as well.

-Violent history? Germany was once home to the Nazi party, and they have a lower rate than us.

One possibility he raises that I always found very reasonable was the description of grand high school prssure that was discussed in his interview with Matt Stone. Kids are cruel to each other growing up, and I assume the reason those Columbine kids snapped was because of years and years of teasing by their classmates.

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Conservatives seem very intimidated by Bowling for Columbine, I’m not obvious why. It doesn’t seem so uncertain to me. Do you judge that a movie would be enough to ever change the policy of the president? Anyone who heard the “with us or with the terrorists” speech should know the reply to that. But then again, some of these people who flip out over the Dixie Chicks or Tim Robbins stating their opinions never seem to be able to engage that these isolated incidents of free speech are beautiful harmless.

Moore is often called an Anti-American, which is a term I mediate is overused and rarely appropriate. Osama Bin Laden is an Anti-American. Moore would not like to eye American destroyed, he would like to be a status with less violent deaths and discontent citizens. Moore doesn’t dislike America, he loves America. The free speech he’s grown up with has given him the opportunity to write his books and originate his movies. He is certainly anti-Bush, but why should that produce someone anti-American? I’m determined plenty of conservatives were anti-Clinton or anti-Carter of anti-Kennedy, but I would never call them anti-Americans. Our proper enemies are people who would demolish crowded buildings in NYC, not people who voted for Gore.

Yet, despite all this, the attacks on Moore’s film are often totally vicious and off-base. A disturbing number of the reviews on this area, and many others, attack his weight more often than they attack the film. Yes, Moore is elephantine but so is Race Limbaugh for God’s sake.

Now, as for the allegations that Moore has fabricated some of the events in this film, I’m not certain exactly how to address all of them. Did he pick Charlton Heston’s “From my chilly stupid hands” speech totally out of context? Yes, he might have. But the thing is, this happens ALL THE TIME. Doesn’t earn it moral, but it does happen. The Dixie Chicks said they were ashamed Bush was from Texas, you hardly ever read about the apology they issued shortly afterward. Critics of Bowling for Columbine only cite parts of it to try and dismiss the whole movie as meritless, and that’s the same thing. And also, do these people really deem that Race Limbaugh and people over at Fox News always prove certain and fine arguments about their politics? I don’t believe so.

Bowling for Columbine may not be entirely legal, and it’s advisable for a viewer to hold an begin mind and swallow everything so easily. But it is a brilliantly constructed polemic, moving to glance and certainly relevant. No matter what your politics, you’ll judge on the issues raised here after seeing the movie, and that’s admirable in itself.

Bowling for Columbine is a movie, and like all art it is certainly subjective. Those out there who are alarmed of the left sail having a chance to content out? Don’t be. The war in Iraq calm happened despite vocal objections from many Americans, so what do you have to distress about? People (and don’t call us anti-Americans) who are disillusioned with the spot of the country, disillusioned by the constant violence going on here, disillusioned by lies and the manipulation of media, may net some brief solace in a movie like this. Is that so depraved? I assume this is Michael Moore’s best work, because it concerns all of us. I can give this film nothing less than my highest recommendation.

I have taken 4 friends to sight this movie. I have even seen this movie while I was in Montreal to inspect what the Canadian reaction would be. I must say, I was embarrassed to be an American after watching this movie. I then conception of all the things I should be doing to form this dwelling a better site to live. In other words, this is a view provoking movie that is truly appealing.

You will examine Charles Heston wring his hands in nervousness after he says, “We don’t want any more of that civil rights business going on again”, or “the reason America is violent is because of all the mixed ethnicities.” What an idiot.

And that is honest what Michael Moore does, he shows people and the government in their natural element speaking freely, and shows us how insane they are and sound. From George Bush proclaiming that our number one priority should be defense spending when people all over the country are out of work and children are living in poverty without parent supervision, to the crackpot rednecks who are buying more “guns and ammo” because they want to protect themselves from the “improper doers.” It’s this candid honesty of Moore’s subjects that makes us glance inward to how this country gone astray. Then Moore tries to elaborate this with his incredible short animation movie “A Brief History of the United States of America.” Although he simplifies everything, and it is truly brief, it hits home and is certainly seek opening.

Moore tries to define the inquire of of why America is so violent. Why we are the new country in the world that kills people with guns on the gargantuan level that the United States does. He offers a lot of options to this retort, but ultimately, he leaves the query originate for the viewer to search out within him/herself for the respond and compose change.

A truly tall achievement and I can’t wait till his next film that is due out 2 months before the election that will no doubt, start up people’s eyes to the sinister and blood thirsty administration that occupies the White House.

Bravo Mr. Moore! Bravo!
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